Carolyn Christov-Bakargiev, curator of the Arte Povera exhibition at the Bourse de Commerce and an internationally-recognized specialist in Arte Povera, talks to Giuseppe Penone, a major figure in this artistic movement and studio director at the Beaux-Arts de Paris between 1997 and 2012, about the artist's seminal gestures and the genesis of the exhibition.

Interested in joining the Beaux-Arts de Paris? Attend our Open House
 

Saturday, February 8, 2025 from 10 a.m. to 5 p.m.

A well-established event since 2020 for those wishing to join the School and find out all about the training offered at Beaux-Arts de Paris - the preparatory class (Via Ferrata), the 1st cycle diploma (Bachelor's level) and the Higher National Diploma of Plastic Arts (DNSAP, Master's level).

A unique opportunity to talk to the staff, teachers, students and graduates.


Ongoing

Private Christmas sale at the Beaux-Arts de Paris bookshop

Fine books and art books, prints, posters, gift items, original creations by artists at exceptional prices. 

Among the latest releases: Une révolution iranienne : Femme, Vie, Liberté, the “Souvenirs de jeunesse” exhibition catalog, Baudrillard Spirit by Ludovic Leonelli, Les personnes, les animaux et les choses by Marc Couturier, Les suffragettes de l'art by Anaïd Demir, l'Album à colorier by Julien Creuzet...

On the occasion of the publication of (Non) Performance: A Daily Practice, author and curator Julie Pellegrin dialogues with artist Kapwani Kiwanga about ways of performing knowledge, care and disorientation.

Although performance art has become an essential part of contemporary art, books devoted to it in French are still rare. In (Non) Performance: A Daily Practice, Julie Pellegrin explores the political effects of performance through conversations with nine artists from diverse backgrounds.

The Reg-Arts database aims to contribute to the renewal of the history of the Beaux-Arts de Paris, which has recently benefited from the development of studies devoted to the history of the teaching of artistic creation and developments in art history research.

To coincide with the 8th edition of the Un Week-End à l'Est festival, which this year focuses on the artistic scene in Yerevan, Armenia, a unique dialogue between visual artist Melik Ohanian and film-maker Andrei Ujica highlights a major figure in the 7th art, the film-maker Artavazd Pelechian.

As rare as he is celebrated, he is the ‘missing link in the true history of cinema’, in the words of Serge Daney who, along with Jean-Luc Godard, was one of the most ardent promoters of his work in France in the early 1990s.