An internationally recognised expert in Islamic art, Souraya Noujaim holds a doctorate in the history and archaeology of the medieval worlds, a postgraduate diploma from the Ecole du Louvre and a master's degree in art history from the Sorbonne.
‘A lesson in painting’ by Jamian Juliano-Villani
‘Capturing the feminine, contemplating the future: A look back at Land Art with Nancy Holt
American theorist Fernanda Negrete looks back at the work of Nancy Holt, proposing a reading at the intersection of psychoanalysis, eco-poetics and ecofeminism. As part of the ‘Troubles, alliances and aesthetics’ chair.
Julien Creuzet, artist and studio head at the Beaux-Arts de Paris, talks to Céline Kopp, co-curator of the French Pavilion at the Venice Biennale 2024, about his creation.
Meeting - Screening of the feature film La Récréation de Juillet in the presence of directors Joseph Rozé, a 4th year student at the Burki workshop, and Pablo Cotten, as well as actors Carla Audebaud, Alba Gaia Bellugi and Arcadi Radeff.
The Beaux-Arts de Paris are delighted to be co-hosting a project by Jean-Charles De Quillacq and the Galerie Marcelle Alix (Paris) with Art Basel Paris.
American artist Alison Saar (born 1956) has been chosen to create the Olympic sculpture in Paris, which will be inaugurated on 23 June 2024.
Born into a family of Los Angeles artists, Alison Saar's work deals with issues of justice and compassion, honouring people who have been under-represented and marginalised in the past, or continue to be so today.
Detailed programme Ateliers Ouverts 2024
DOWNLOAD THE PROGRAMME IN PDF (FR)
The Ateliers Ouverts are a unique opportunity each year for the general public and professionals to discover the young creativity and artistic diversity produced by students at the Beaux-Arts de Paris on the Saint-Germain-des-Prés and Saint-Ouen sites.
Artist Apolonia Sokol, a graduate of the Beaux-Arts in Paris, is known for her political stance on portraiture. During this meeting, she will talk about the film portrait - Apolonia, Apolonia - recently released in cinemas, which director Léa Golb devoted to her over a period of thirteen years.
From her studies at the Beaux-Arts in Paris to the recognition of her work, the destinies of Oksana Shachko, one of the founders of Femen, and of the director, are also mirrored in Apolonia. A sorority with three faces, facing the test of today's world.
