Chère Melpomène is a call for change, for thwarting classic myths to pass on other stories closer to our everyday lives. The exhibition invites us to listen, feel and breathe together, in a poetic exploration of what connects us. that connects us.
Designed as a professional springboard and showcase for the emerging scene, 100% L'EXPO opens the Grande Halle de la Villette to young artists graduating from French art schools.
This workshop links the stories of artists from Asia, Africa and Latin America who worked and studied in Paris between 1945 and 1989.
On the occasion of the publication of his monograph La Fin du Banal published by the Beaux-Arts de Paris, the artist Thomas Lévy-Lasne looks back on twenty years of artistic practice.
Writing workshop led by Princesse Diakumpuna and Lou Rappeneau to design a collective fanzine.
Seven venues, seven exhibitions: Laurent Le Bon, President of the Centre Pompidou, looks back at his curatorial practice through a selection of exhibitions - from Dada to Dioramas to Vides. A retrospective and Masterpieces?
Body and graphics workshop with Clément Justin Hannin, followed by evening performances by Paul Gonzalez, Laura Meslin, Clément Justin Hannin, Zahra Mansoor Hussain, Lulma Guit and Arthur Ménard-Salis. As part of the exhibition
Writing workshop led by Princesse Diakumpuna and Lou Rappeneau to design a collective fanzine.
Writing workshop by Jeyni Ba and Kenza Agbo followed by an evening of performances by Aurélien Vieillard, Jade Maignan, Bianka Zamatoczka, Yixuan Xiao and Clara Eon with the workshops Huynh and Prévieux.
For the night of museums, Shumeng Li and Martin Bas imagine a sound creation – performance that acts as an invitation to a sonic and sensory detour of the exhibition. Free entry.
An evening dedicated to the artist Frank Bowling, curator Julia Marchand and exhibition storyteller Chris Cyrille invited several voices to engage in dialogue with his poetic work, including that of artist Dimitri.
Echoing the Paris Noir exhibition at the Centre Pompidou, this meeting highlights the critical and decolonial pedagogies that have redefined pan-African artistic practices and influenced contemporary art education.
Writing workshop with the artist Eden Tinto Collins followed in the evening by a round table «Muser, magiser» with Cédric Fauq, Aryle Nsengiyumva, Chloé Pretesacque, Eden Tinto Collins and Yue Yu.