Born in 1991, Jeanne Vicerial lives and works in Paris. Since her adolescence, she has turned to clothing design. After studying costume design and obtaining a Master's degree in Clothing Design at the École des Arts Décoratifs de Paris in 2015, she embarked on a research project that took the form of a doctoral thesis SACRe (Sciences, Arts, Creation, Research), which she defended in 2019.

 

Artists from the African continent at the School of Fine Arts

Speakers: Idriss Diabaté, Lola Mirti (INHA) and Pauline Monginot (INHA)
Bénédicte Mahé (Beaux-Arts de Paris), in charge of international relations in the studies department, will introduce the session with an overview of the contemporary situation, dedicated to the transnational trajectories of the School's students. It will then focus on the African continent.

 

Political self-defence. Professor of contemporary political philosophy, Elsa Dorlin works on another history of bodies through the genealogy of modern power relations. Pursuing her reflection on the complexity of the mechanics of domination, sexism, racism and capitalism, her thinking is as close as possible to the resistances seized at the level of the flesh, the muscles and the senses.

 

In dialogue with Madeleine Planeix-Crocker and Fabrice Bourlez, coordinators of the Troubles, Dissidence and Aesthetics Chair.

 

A roundtable discussion in the context of the exhibition Les professeurs gribouillent aussi... and on the occasion of Printemps du dessin 2023. 
The aim is to explore the conditions of appearance of the work, those that the artist chooses and those that escape his control, to evoke the place of chance, the environment, the unconscious in the creative process and the art of doodling.
In the presence of the artists: Hicham Berrada, Pierre Buraglio, Gilgian Gelzer, Frédérique Loutz, Bernard Moninot, Valérie Sonnier and Nathalie Talec. 

As a choreographer, visual artist and curator, Christian Rizzo relentlessly pursues the elasticity and tension between bodies and space in stories where fiction emerges from abstraction.

He began his artistic career in Toulouse, where he formed a rock band and created a clothing brand, before training in the plastic arts at the Villa Arson in Nice and then turning to dance.

In the 1990s, he worked as a performer in Europe with many contemporary choreographers, sometimes creating soundtracks or costumes.