The REG-ARTS project is a joint project of the Beaux-Arts de Paris, the CNRS and the INHA. Its objective is to establish an essential resource for art history, enriched digital access to the registration registers of student painters and sculptors at the École des Beaux-Arts de Paris between 1813 and 1968.
Wednesday 12 October 2022
6:00pm - 8:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
From tuesday 18 october 2022 to sunday 23 october 2022
Every day from 10 am to 7 pm
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
The Beaux-Arts de Paris are pleased to welcome with Paris+ by Art Basel the project of Omer Fast and the gallery gb agency within the Sites sector of the modern and contemporary art fair.
The Karla exhibition is built on archetypes in which masks, ghosts and characters tell stories of the past that illuminate the present, time loops between documentary and fiction.
Karla's face, 2020 (video hologram) floats in a room. The real Karla works at filtering offensive images and texts for an internet giant. Her anonymous testimony is replayed by an actress whose face has been scanned to convert each of her expressions and emotions into digital data.
The progressive morphing seems to accompany the fragile construction of the story. Karla, both witness and ghostly presence, tells of her role and her eternal mission to suppress ever more unbearable images. An installation of drawings endlessly replays a self-portrait by Max Beckmann from 1917: copies of copies exhaust the artist's traumatised face, one eye open and the other closed.
Whether they delete or make visible on digital platforms, whether they transgress the boundaries of the living and the dead, Omer Fast's characters provoke systems of power. The artist fictionalises what he sees of our world, its transformations and aspirations. Together, these elements respond to the 16th century sculptures on permanent display in the Chapelle des Petits-Augustins and explore the inherently ambiguous nature of concepts such as authenticity, time and reality.
Photo credit:
Omer Fast, Karla, 2020
Holographic projection and HD video, variable dimensions
Aurélien Mole © Courtesy Omer Fast and GB Agency
Omer Fast, Untitled M.B (Cloud), 2020 Crayon sur papier, euphonium, toilette en céramique, caisse en bois Dimensions variables © Aurélien Mole © Courtoisie Omer Fast et gb agency
Omer Fast, Karla, 2020 Projection holographique et vidéo HD Dimensions variables © Aurélien Mole © Courtoisie Omer Fast et gb agency
From wednesday 28 september 2022 to saturday 12 november 2022
Tue. to Sat. 2pm-8pm - Nocturne on Thursday until 9pm
Fondation Pernod Ricard
1, cours Paul Ricard 75008 Paris
The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Clédia Fourniau, 2021 graduate, inaugurates the second season of the "L'Avancée" program with her paintings in the heart of the café-library.
Located in the heart of the café-library of the new Pernod Ricard Foundation, l'Avancée is a hanging space dedicated to emerging artists, a way to extend the exhibition space into the living space.
"The eye dances across the canvas, from the center to the sides, caught up in the undulations of a pictorial body that is nonetheless motionless. There is, in each work of Clédia Fourniau, a succession of colored layers that calls to dive into the depth, or rather to go up to its surface, towards the opening on which is superimposed a translucent stratification of resins.
Mirroring, this surface reflects by fragments the body of the observer: subtle setting in abyss of the image which reflects itself - which thinks itself - and which reflects the image which questions it - ourselves -. A reflection which goes until leaving the frame, and taking a new dimension, in that the matter stretches its consistency to leave apparent its margins and redefine new contours... Or how to question, of more beautiful, this "reflexive device" and identity of the support which, like the bottom, often passes unnoticed.
Clédia Fourniau uproots the fundamentals to better understand the components and deployments: the object that makes work, the work that is object, the whole that is art. Thorny reflection, even existential, in the immaterial era of the metaverse and the NFT.
Anne-Laure Peressin, art critic
Pernod Ricard Foundation
1, cours Paul Ricard
75008 Paris
Free admission
Photo credit: © Romain Darnaud
Sunday 23 October 2022
2:00pm - 3:00pm
Amphithéâtre de morphologie
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Cyprien Chabert to present his project Le théâtre des formes.
The amphitheater, a place of learning about human morphology, will host a vast wall drawing.
It is a kinesis of vegetal and organic forms that combines performance and the realization of a painting on the scale of architecture, the basis of this work presented as a memory of gesture.
Amphitheater of morphology
14 rue Bonaparte, Paris 6e
Friday 21 October 2022
7:00pm - 9:00pm
Maison de la Poésie
157 rue Saint-Martin, Paris 3e
ENTRÉE LIBRE
On the occasion of the publication of John Giorno's Memoirs by the Editions des Beaux-Arts de Paris, a reading is organized at the Maison de la Poésie in the presence of the artist Ugo Rondinone and Jean-Jacques Lebel, artist and specialist of sound poetry.
Practical information
Maison de la Poésie
157 rue Saint-Martin, Paris 3e
Admission by reservation, subject to availability
Tuesday 25 October 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Thibault Boulvain defended his dissertation in 2017 at the University of Paris 1 Panthéon-Sorbonne on visual representations of HIV-positive status and AIDS in Europe and the United States between 1981 and 1997. The resulting book, L'art en sida. 1981-1997, was published in June 2021 by Presses du réel (collection "Œuvres en sociétés").
Thursday 20 October 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The artist Haegue Yang creates installations composed of photographs, videos and sculptural elements from her philosophical and political research. Responding to the places where she exhibits, she creates new in-situ installations integrating both the architecture of the exhibition space and the materials collected around it. Her refined yet singular vision of materiality, combined with an elegant sense of space and atmosphere, contribute to the development of enveloping and resonant installations.
Wednesday 12 October 2022
7:00pm - 9:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
"With Isadora Duncan, Jérôme Bel drew up for the first time the danced portrait of a choreographer, after having concentrated exclusively on the life of the dancers. For this new creation, which he describes as "auto-bio-choreo-graphic", he lends himself to his own exercise and delivers his personal account of a life of dance.
From saturday 10 september 2022 to sunday 2 october 2022
Wed. to Sun. 1pm-7pm
POUSH
153 avenue Jean Jaurès, Aubervilliers
At the initiative of the Beaux-Arts de Paris, Felicità Milieu des choses invites the thirty-five artists Felicità 2020 and 2021 of the Beaux-Arts de Paris to offer a very personal reading of the environment and its edges, on a proposal by the artist and curator Thomas Fougeirol.
"Each artist is a milieu around which multiple ecosystems gravitate, the result of a personal history and different socio-cultural contexts. How sensitive are we to other environments, to others in their environments? The world is full of objects and connections are made at lightning speed, the artist must slow down to make other things, other events with a deep and intimate resonance. The skin, the texture of these things and performances are like drums, they materialize deep sounds.
If some artists think of the thing as a target to be reached by planting its arrow in its middle, others explore its edges." Thomas Fougeirol
Organized outside the walls, the exhibition Felicità Milieu des choses is the result of a collective work. The works and performances have been imagined to take over the large 1,800 m2 plateau of POUSH in Aubervilliers.
A publication accompanies the exhibition.
Curated by Thomas Fougeirol.
Congratulated 2020
Among the 94 students who graduated in 2020, 14 were congratulated by the jury presided by Béatrice Gross and composed of Marc Bembekoff, Mohammed Bourouissa, Emilie Renard and Barthélemy Toguo.
Kenia Almaraz-Murillo, Amie-Sarah Barouh, Thibaut Bouedjoro-Camus, Audrey Carmes, Diane Chéry, Gabriel Day-Boulongne, Théo Krief, Gaspard, Elsa Michaud, Chalisée Naamani, Keijiro Nagamine, Winnie Mo Rielly, Robin Rozenkranc, Lucas Tortolano.
Congratulated 2021
Among the 123 students graduating in 2021, 21 were congratulated by the jury chaired by Thomas Fougeirol and composed of Alexandra Baudelot, Aude Cartier, Gaëlle Choisne, Marianne Lanavère, Julia Marchand, Myriam Mihindou and Matthieu Poirier.
Chadine Amghar, Barbana Bojadzi, Lucas Bouan, Félix Bouttier, Javier Caro Temboury, Clara Champsaur, Clément Courgeon, Pauline d'Andigné, Darya Danilovich, Elisa Florimond, Clédia Fourniau, Juliette Green, Konstantinos Kyriakopoulos, Halldora Magnusdottir, Dylan Maquet, Hedi Nabil, Louise Rocard, Eulalie Thebault Maviel, Eugénie Touzé, Chloé Vanderstaeten, Constantin Von Rosenschild Paouline.
Practical information
Subway : line 7 station Fort d'Aubervilliers
Bus : 152, 330, N42
Bicycle : vélib station at 3 mn walking distance
Free access
Festive opening day on Saturday, September 10
Program of animations and performances :
3:30 pm : Audrey Carmes
4pm : Diane Chéry
4:30 pm : Clément Courgeon
5pm : Elsa Michaud
5:30 pm : Lucas Bouan
6pm : Lucas Tortolano
Affiche
Saturday 25 June 2022
6:00pm - 8:00pm
Amphithéâtre de morphologie
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Cercle s'ouvre - Invitation by Fanny Béguery, 2011 graduate
SHROUDED AND THE DINNER
& Sa marmelade
Shrouded and the Dinner - created in 2012 by the coming together of five friends, Sylvain Azam, Astrid de la Chapelle, Adel Ghezal, Lina Hentgen and Julien Tiberi, at the invitation of a concert for the magazine Mercure - has continued on its musical path ever since, a gruppetto that is constantly letting go and holding on like this.
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