From September 30, 2021, nine large architectural drawings, consignments from Rome, from the Beaux-Arts de Paris drawing collection are presented within the exhibition at the Louvre Museum. 

Benoît-Edouard Loviot, Coupe transversale restaurée du Parthénon, 1879, aquarelle sur tracé à l’encre de Chine sur papier entoilé, 125,5 x 193 cm, Inv. n° Env 71-07. Crédits Beaux-Arts de Paris ; Distrib RMN-Grand Palais

Victor Blavette, Elévation restaurée du sanctuaire de Déméter à Eleusis, 1884, aquarelle sur tracé à l’encre de Chine sur papier entoilé, 112 x 154 cm, Inv. n° Env 74-06. Crédits Beaux-Arts de Paris ; Distrib RMN-Grand Palais

Albert Tournaire, Restauration du sanctuaire d’Apollon à Delphes, 1894, aquarelle sur tracé à l’encre brune sur papier entoilé, 197 x 366 cm, Inv. n° Env 84-07

Détail : Albert Tournaire, Restauration du sanctuaire d’Apollon à Delphes, 1894, aquarelle sur tracé à l’encre brune sur papier entoilé, 197 x 366 cm, Inv. n° Env 84-07. Crédits Beaux-Arts de Paris ; Distrib RMN-Grand Palais

The Beaux-Arts de Paris was pleased to welcome more than 5 300 visitors during this weekend for the 38th edition of the European Heritage Days. Thank you for coming in great numbers, for your curiosity and good mood and thank you to all the teams who were mobilized.

 

We are happy to have been able to finally open our doors this year and we look forward to seeing you in 2022.

 

Beaux-Arts de Paris - droits réservés

Beaux-Arts de Paris - droits réservés

Laurène Barnel, a 2018 graduate of the Beaux-Arts de Paris, is a member of the AIMS class of 2022.

AIMS is a diploma course"Artist intervening in the school environment" for primary and secondary school classes, in the cities of Aubervilliers (93), Gennevilliers (92), Montreuil (93), Saint-Denis (93) and Saint-Ouen-sur-Seine (93).

 

The new class is composed of seven students who graduated from the five national art schools in Paris

Following a call for applications to develop cooperation with the Balkan countries, launched by the Ministry of Europe and Foreign Affairs and supported by the Solidarity Fund for Innovative Projects, the Beaux-Arts de Paris proposed a project with the University of Arts of Tirana. 

 

The bas-relief "Crucifixion" by François Marchand is absent to make way for a suspended wax drape made by Juliette Minchin. The crucified man has disappeared: all that remains is the cloth that hid his nakedness. Echoing the loincloth worn by Jesus - the Perizonium - very present in the imagery of the crucifixion, the work appears as a sacred cloth. 

 

This fabric also refers to the "Descent from the Cross" where a sheet helps the characters to support and carry the body of Christ and then serves as a shroud.

 

Relique, 2021, 79 x 55 x 14 cm, cire et laiton patinés

Christian Boltanski, immense artist and beloved professor at the Beaux-Arts de Paris : " I used to tell my students : if someone tells you : You're stupid, you're ugly, but your last work is beautiful. Embrace it. The rest doesn't matter.

A friend to whom the School owes much. Tribute

 

Christian Boltanski  (1944 - 14 July 2021).

354C w/ BEAUX-ARTS DE PARIS 
END OF RESIDENCY

from Monday 12 to Sunday 18 July 2021
Exhibition / installations
2pm-8pm - Free admission

Lunch on July 12 from 6pm

 

Find out about the 19 foundation prizes, including 6 awarded in partnership with the Fondation de France, given to student artists or graduates of the Beaux-Arts de Paris. Thanks to the generosity of donors, prizes, grants and scholarships reward collective projects and individual practices (painting, drawing, video...).

The Amis des Beaux-Arts de Paris association awards 6 prizes to students of the School selected by a jury of personalities from the world of arts and culture, composed of Grégory Lang, independent curator, Emma Lavigne, president of the Palais de Tokyo, Emmanuelle Lequeux, Arts journalist, Alexandra Schillinger, director of the Loevenbruck gallery, and Emmanuel Van der Meulen, artist graduate of the Beaux-Arts de Paris.

From July 25 to September 2, 2021

This summer find the artists who graduated from the Beaux-Arts de Paris in the windows of the galleries of Saint-Germain-des-Prés.

 

During the summer period, a large number of gallery windows in the Saint-Germain-des-Prés district often remain empty, so the Beaux-Arts de Paris wanted to join forces with the district's galleries in a movement to support young artists. 
 

Clara Demelle, Ghismonda, 2020 Huile sur toile 24 x 19 cm

Paul Iratzoquy Sans titre, 2021 Huile sur toile 89 x 146 cm

Winnie Mo Rielly, Intersection, 2021 Plâtre 95 x 61 cm

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