Estelle Coppolani is a poet, playwright and editor. She works on the literary backgrounds of the Indian Ocean and on the phenomena of poetic recomposition engendered by situations of migration. She writes alone (Couronnées d'oiseaux) or with others (Mais le monde est une mangrovité). She is a member of the Scientific Committee of the Edouard Glissant Art Fund and of the publishing house Les Prouesses.
Thursday 30 May 2024
2:00pm - 4:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Thursday 23 May 2024
2:00pm - 4:00pm
Palais des Beaux-Arts
14 rue Bonaparte, 75006 Paris
BILLETTERIE RESPONSABLE
Emmanuelle Lainé is a graduate of the Beaux-Arts in Paris. Drawing on the specificity of each exhibition context, Emmanuelle Lainé makes use of the movable and immovable resources of the institution that invites her, with the aim of offering a "method of place" as an interface between the space, the work and the public.
Thursday 16 May 2024
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Nuria Mokhtar
Ya Tuways
Performance
30 minutes
Ya Tuways is a series of letters, a one-way epistolary relationship between the author and a poet who lived between the eleventh and twelfth centuries in the Arabian Peninsula.
Thursday 16 May 2024
2:00pm - 4:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
10am-1pm on registration (limited capacity)
Visit to Art Explora workshops at the Montmartre site.
Wednesday 15 May 2024
10:00am - 4:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
10am-12noon Seumboy Vrainom is a militant Hors-Sol. A descendant of French colonial history, he grew up in Le Luth, a housing estate in the Paris region, on the 13th floor of a tower block, floating in the virtual world. Faced with the difficulty of reclaiming the land, he naturally immersed himself in digital space.
into the digital world. He hosts the popular science channel Histoires Crépues.
Canceled
Thursday 2 May 2024
2:00pm - 4:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
An encounter between Annette Joseph Gabriel, Sarah Quesada and five Duke University students.
Annette Joseph-Gabriel is an author and researcher in the fields of literature, culture and politics. She is Professor of French and Francophone Studies at Duke University, where she continues her research and teaches courses on Caribbean and African literature. Her book, Imaginer la libération: Des femmes noires face à l'empire, was published in 2023 by Éditions Rot-Bo-Krik.
Thursday 25 April 2024
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Paul Gonzalez-Hyper
L'utilité de mon travail
8 minutes
In this performance, Paul Gonzalez-Hyper embodies a detestable archetype of masculinity and ridicules this overbearing position: through the character of an auctioneer encountered in his daily life, the artist mocks a virile approach to knowledge, staging an authoritarian discourse on the value of works of art.
From wednesday 24 april 2024 to sunday 30 june 2024
Du mercredi au dimanche, 13h-19h (Nocturne le jeudi jusqu’à 21h)
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Students and curators in the "Artists & Exhibition Professions" program present autohistorias, a group exhibition inspired by Gloria Anzaldúa, Chicana feminist theorist, activist and poet. In an unpublished text, she proposes writing as a way of defining oneself through theory, fiction, mythologies, linguistic games and poetry. Through individual stories and fiction, it's a question of constructing a collective narrative, thought of as an alternative tool to dominant narratives.
"If I don't have access to the truth, I'll invent it, I'll tell myself, preferring my fictions to the lies and truths that others fabricate for me, about me". (Gloria Anzaldúa, Ethnic Autohistorias-teorías: Writing the History of the Subject).
In 1989, Gloria Anzaldúa wrote a formally inventive text that oscillates between poetry, personal narrative, historical commentary and politics. The essay is a toolbox. Anzaldúa encourages an active subjectivity and invites us to seize our intimate stories and fiction to shape our collective narratives.
Driven by this spirit, autohistorias brings together a group of artists who - from the 15th to the 21st century - have used the self as a way of telling history, shaping political allegory and using narrative as a means of emancipation.
autohistorias presents a group of auto-fabulists, chimeras, beautiful liars, chingadas and bad girls who traverse complexity with literary flair, aesthetic clarity and performative memory. Fiction, autobiography and speculation become the tools for composing a collective narrative and memory; an individuality that is guided not by absolutes but by ambiguities.
The exhibition brings together works by student artists and from the heritage collections of the Beaux-Arts de Paris, as well as those of guest artists. Self-portraits, hybrid collages, invented languages, parallel worlds - made up of personal histories and intimate archives - are presented. autohistorias composes a common space-time born of intersubjectivity, enunciation and listening. Thursday evenings will feature an artistic program, details to follow on beauxartsparis.fr.
Les Beaux-Arts de Paris is a partner of Paris Gallery Weekend, an event organised by the Comité professionnel des Galeries d'art, inviting the public from 24 to 26 May to 3 days of free, open-access exhibitions, meetings and events in 101 Parisian galleries. The autohistorias exhibition is part of the VIP programme of Paris Gallery Weekend.
Curated by
Skye Arundhati Thomas, Tadeo Kohan, Louise Nicolas de Lamballerie (curators in residence)
Mélanie Bouteloup and Armelle Pradalier (co-directors of the "Artists & Exhibition Professions" program)
Scientific advisor for the Beaux-Arts de Paris collections: Giulia Longo, Curator of Prints and Photographs
Students in the field
Mathilde Badie, Idris Bennai, Elise Bergonzi, Anna Breton, Clara Brevet, Aïssa Diallo, Clémence Gbonon, Anna Giner, Audrey Japaud Garcia, Feryel Kaabeche, Léontine Köhn, Anouk Léger, Mahault Maréchal, Emma O'Quigley, Noah Perrot-Bikie Bi Mbida.
Among the artists
Aya Abu Hawash, Malek Abdelmajeed, Sonia Andrade, Ali Arkady, Mohamed Azouzi, Amanda Baggs, Anna Boghiguian, Mohamed Chafei, Antoine Conde, Alexandre-Gabriel Decamps (after), Ladji Diaby, Antoine Dochniak, Jean Louis André, Mehdi Gorbuz, Francisco de Goya, Anis Nabil Harbaoui, Hessie, Lubaina Himid, Liên Hoàng-Xuân, Nina Jayasuriya, Bahar Kocabey, Simone Lagrand, Lalita Lajmi, Hugo Laporte, Nge Lay, Lisa Lecuivre, Huda Lutfi, Sehaj Malik, Nicole, Clarisse Pillard, Lou Reina, Jagdeep Raina, Rembrandt, Roseman Robinot, Vega Royer Gaspard, Saradibiza, Sequoia Scavullo, Mahmoud Sehili, Afrah Shafiq, Margarita Sherstiuk and Igor Kanivets, Elisabetta Sirani, Charwei Tsai, Libo Wei, Alexandre Yang, Mia Yu, Unica Zürn and anonymous.
Practical information
Wednesday April 24 - Sunday June 30, 2024
(The exhibition will be closed on Wednesday 1 May 2024)
13 quai Malaquais, Paris 6th arrondissement
Wednesday to Sunday, 1pm-7pm
Nocturne Thursday until 9pm
2€, 5€ or 10€, the choice is yours!
Detailed program of upcoming nocturnes on beauxartsparis.fr
Facebook, Instagram and YouTube
#beauxartsparis
Nina Jayasuriya, Sans titre (pavulak), 2023, huile sur toile, 200x300 cm © Tristan Chevillard
Malik Sehaj, Kali - l'entropie, 2023 Encre, fusain et peinture d'huile sur khadi (tissu indien), 60 x 90 cm
Rembrandt, Femme nue couchée, 1658 Eau-forte, pointe sèche et burin © Beaux-Arts de Paris
Margarita Sherstiuk et Igor Kanivets, Shelves of waiting, 2023 Eau-forte, 50 x 57 cm
Alexandre Yang, Souvenirs de la Vie, 2024, huile sur toile, 180 x 270 cm
RESPONSIBLE TICKETING 
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 26 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)
• journalists
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
From friday 22 march 2024 to sunday 30 june 2024
Du mercredi au dimanche, 13h-19h
Cabinet des dessins et des estampes – Jean Bonna
14 rue Bonaparte, 75006 Paris
The Tiepolo exhibition will be closed until Sunday 2 June. We apologise for any inconvenience caused.
"Exceptional exhibition" Les Echos
"At the Beaux-Arts in Paris, a luminous tribute to the Tiepolo family" La Croix
"Tiepolo & Cie, une famille en or" Connaissance des arts
"An exceptional collection of drawings and etchings celebrating the artistic genius of 18th-century Venice" Sortir à Paris
This exceptional exhibition brings together drawings and etchings by Giambattista Tiepolo and his two sons, Giandomenico and Lorenzo Tiepolo, a family of virtuoso artists in 18th-century Venice.
The Beaux-Arts de Paris owns a remarkable collection of ten works by Giambattista Tiepolo (1696-1770), making it the second-largest public collection of the artist's drawings in France. Above all, this collection is the only one in France to include drawings not only by Giambattista, but also by his two painter sons, Giandomenico (1727-1804) and Lorenzo (1736-1776), as well as another of Tiepolo's assistants in the 1730s, Giovanni Raggi. This collection alone provides an overview of graphic practices within the family and the studio.
The study of these sheets and prints, combined with works by other artists - sources of inspiration such as Rembrandt, masters such as Piazzetta, and contemporaries such as Canaletto, Guardi and Novelli - highlights the great modernity of their art. This is particularly evident in their ability to produce variations on the same theme, both in traditional religious and mythological subjects and in figure studies, particularly caricatures, as well as scenes from Venetian life. The exhibition also explores the relationship between the father and his sons, and the work within a family of artists.
The tour begins with a series of studies of heads and faces that raise the question of training in the Tiepolo studio. It then moves on to religious paintings and large-scale secular decors produced by the Tiepolos and their contemporaries in Venice, followed by autonomous graphic works conceived outside of any painted project, as pure graphic exercises or pleasures, based on iconographic themes repeated almost obsessively, in multiple variants.
It is the exceptional inventiveness of Giambattista and Giandomenico Tiepolo, one of the most fascinating facets of their artistic personalities, that these drawings and prints allow us to rediscover.
Curated by Hélène Gasnault, curator of drawings at Beaux-Arts de Paris, and Giulia Longo, curator of engravings and photos at Beaux-Arts de Paris.
The catalogue
A catalogue accompanies the exhibition, with texts by Catherine Loisel, honorary curator at the Musée du Louvre and a specialist in early Italian drawings, Hélène Gasnault, curator of drawings, and Giulia Longo, curator of prints and photographs at the Beaux-Arts de Paris.
Carnet d'études n°58
112 pages
Price €25
Practical info
from Friday 22 March to Sunday 30 June 2024
(The exhibition will be closed on Wednesday 1 May 2024)
14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ the choice is yours!
Giandomenico Tiepolo, Idee pittoresche sopra la fugga in Egitto, vers 1750-1753 Eau-forte
Giovanni Battista, dit Giambattista, Tiepolo, Faune et faunesse, vers 1740-1750, plume, encre brune, lavis brun sur esquisse à la pierre noire
Giovanni Battista, dit Giambattista, Tiepolo, Les Polichinelles faisant la cuisine, vers 1735, plume, encre brune et lavis brun
Francesco Guardi, Projet de plafond, vers 1770-1780 Plume, encre brune, lavis brun et aquarelle
RESPONSIBLE TICKETING
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 26 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA), Section française de l'Association internationale des critiques d'art (AICA France)
• journalists (current year press card)
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
From wednesday 24 january 2024 to sunday 17 march 2024
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Des lignes de désir presents the twenty-eight artists who graduated from the Beaux-Arts de Paris with a Diplôme National Supérieur d'Arts Plastiques and a Congratulations from the Jury in 2023.
The exhibition, curated by Emilie Villez, reflects the diversity of the artistic proposals that have emerged from the School. Paintings, sculptures, installations and videos coexist with performance and publishing practices, presented through a weekly programme.
Lines of desire, also known as paths of free will, are gentle challenges to the system, traced out in the landscape by the erosion of humans or animals as they walk. Criticism of the excesses of modernity is a subtext for the artists presented.
Getting off the beaten track, while finding one's place in the art ecosystem: the aim of the exhibition is above all to present the public with a panorama of contemporary artistic practices, opening up avenues of resonance and reflection on art and the world today.
Events will be held every week, with details of the programme to follow on beauxartsparis.fr.
To coincide with the opening on 23 January, Rose Bourdon will be presenting an inaugural performance: DIPLÔMÉ.ES is a collective play in which five École Centrale Paris students play the first-person roles of alumni whose lives and testimonies have been collected during telephone calls over the past few months. The actors each wear an 'alloro trionfale' laurel wreath that distinguishes them from the rest of the audience, a popular symbol of the graduation rite. The testimonies are documented and archived in an edition produced by Margot Bernard.
A publication accompanies the exhibition.
Félicités 2023
Of the 96 students graduating in 2023, 28 were awarded Congratulations by the jury made up of Eva Barois de Caevel,
exhibition curator, Sébastien Gökalp, director of the Musée national de l'histoire de l'immigration, Claire Le Restif,
director of the Centre d'art contemporain d'Ivry - Le Crédac, Mélanie Matranga, artist, Elena Sorokina, curator and art historian
and art historian, Stéphane Thidet, artist, and Emilie Villez, curator.
Carl AMIARD, Raphaëlle BENZIMRA, Joséphine BERTHOU, Thomas BESSET, Rose BOURDON, Marion CHAILLOU, Béryl COULOMBIÉ, Arthur DUJOLS-LUQUET, Yanma FOFANA, Milana GABRIEL, Thibault HISS, Nina JAYASURIYA, Louis LANNE, Louise LE PAPE, Sehyoung LEE, Marc LOHNER, Amandine MASSÉ, Pierre MÉRIGOT, Elise NGUYEN QUOC, Théo PALL, Océane PILASTRE, Margot POISSON, Victor PUŠ-PERCHAUD, Valentin RANGER, Sofia SALAZAR ROSALES, Gabrielle SIMONPIETRI, Anna STELLITTANO, Antonia TIETZE
Curated by
Emilie Villez is an exhibition curator. She is interested in artistic and curatorial methodologies, the construction of institutions and their ecosystems. Her practice creates relationships between practitioners of different generations and geographies, using various media and adopting decentralisation as a method.
Director of the KADIST foundation in Paris from 2013 to 2023, she has developed a programme of solo and group exhibitions in Paris and in international partner institutions, with guest artists and curators from all regions. She has also contributed and continues to enrich the foundation's collection by acquiring works by emerging and established artists.
Catalogue
The exhibition is accompanied by the publication of a catalogue.
Forewords by Alexia Fabre and Emilie Villez.
Interviews with each of the artists by art critics Marjorie Bertin, Aurore Forray, Henri Guette, Emmanuelle Luciani, Camille Paulhan and Anne-Laure Péressin, with 4 pages devoted to each Félicité-e.
Programme around the exhibition
Press coverage
Les Inrocks "28 young artists weave their web at the Beaux-Arts de Paris"
Libération "Félicités 2023": graduates of the Beaux-Arts de Paris show off their fine designs"
Beaux Arts Mag 5 Paris Beaux-Arts graduates who blew us away
Affiche - Des lignes de désir - Exposition Félicités 2023
RESPONSIBLE TICKETING
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 26 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)
• journalists
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
