Thursday 23 October 2025

7:00pm - 8:30pm

Amphithéâtre d'Honneur + Instagram

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Brazilian artists Leda Catunda and Erika Verzutti are in the spotlight this fall in Paris with two solo exhibitions.
 

They have already collaborated and are familiar with each other's practices. This meeting will be an opportunity to look back on their recent exhibitions and exchange their views: organic forms, references to modernism and pop art, desire and feminism will be topics of discussion. 

Winner of the 2025 Rubis Mécénat Prize in partnership with the Church of Saint-Eustache and Beaux-Arts de Paris, Liselor Perez, a fifth-year student, presents a unique installation of a set of puppets scattered throughout the main nave and side chapels. Curated by Julia Marchand.

“My installation is a poetic exploration of existential tensions: the fragile body, seeking elevation, confronted with timeless, immutable architecture.” Liselor Perez

Tuesday 14 October 2025

7:00pm - 8:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

We must defend society (against images)

Images surround us, dominate us, haunt us. Some impose themselves by striking our minds, while others, more insidious, creep in and surprise us in our imaginations. Should we now learn to defend ourselves against them, because they are too aggressive or too seductive? 

Tuesday 30 September 2025

7:00pm - 8:30pm

Amphithéâtre des Loges + Instagram

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

To mark the publication of Thomas Hirschhorn: From Graphic Design to Art (MIT Press, 2025), American art historian Lisa Lee talks to the artist about the origins of his work.

Fourteen student artists from the Fresco & Art in Context program at Beaux-Arts de Paris created works specifically designed for the Trinitaires Church in Metz, drawing inspiration from their discovery of the forests on the outskirts of the city.

An invitation from Viviane Zenner (Galerie des Jours de Lune) in partnership with the city of Metz.

From Saturday 20 September 2025 to Sunday 21 September 2025

10:30am - 5:30pm

Beaux-Arts de Paris

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Beaux-Arts de Paris is taking part in the Journées européennes du patrimoine 2025. Come and discover our listed buildings and the treasures they contain!

An exceptional day to discover the School's emblematic sites on a guided or self-guided tour: Cour d'Honneur, Chapelle des Petits-Augustins, Cour du mûrier, Amphithéâtre d'Honneur and the Library.

From Wednesday 2 July 2025 to Saturday 19 July 2025

2:00pm - 6:00pm

La Supérette

28 Bd de Stalingrad, 92240 Malakoff

ENTRÉE LIBRE

Ilaria Andreotti, Maëlle Lucas-Le Garrec, Oskar Fougeirol Lété, Liselor Perez, Lou Rappeneau, Apolline Regent, Emilia Shine and Pierre Sérot, students at the Figarella studio, are exhibiting their work as part of a Beaux-Arts de Paris partnership with Sorbonne Université and École des Arts Décoratifs-PSL.

From Thursday 5 June 2025 to Friday 4 July 2025

11:00am - 7:00pm

Bibliothèque d'art contemporain

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Exhibition of the 50 works selected for the Bob Calle Prix du livre d'artiste.

This exhibition, open to the public until Friday, July 4, 2025, presents the works selected for the Bob Calle Prize for Artists' Books. The books will then be added to the Bibliothèque d'art contemporain's specialized collection of artists' books, where they will be available for consultation.

Discover the 2025 sélection

From Thursday 3 July 2025 to Sunday 31 August 2025

10:00am - 7:00pm

Saint-Germain-des-Prés

Paris 6

ENTRÉE LIBRE

À première vue returns this summer, giving the galleries of Saint-Germain des Prés carte blanche to showcase the work of young artists who have graduated from Beaux-Arts de Paris.

Thursday 26 June 2025

9:30am - 11:00am

INHA, galerie Colbert, salle Giorgio Vasari

2 rue Vivienne, Paris 2

ENTRÉE LIBRE

Gold occupies a singular place in the work of Daniel Schlier, a painter based in Strasbourg and professor at ENSBA in Paris. This “masterclass” gives him the opportunity to look back at certain uses of this metal in his creations and in contemporary practices. In dialogue with the room, it will also consider how the discovery of gold, its use on a variety of supports (wood, dibond, labradorite, marble, parchment) and its reception can be part of a long-term history of art, echoing the works of 16th-century German painters as well as those of Jacques Stella.

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