7pm | Guided tour
Duration : 1h15 

Two guided tours are offered, one with Giulia Longo, and the other with Melanie Bouteloup, co-curators of the exhibition Chère Melpomène (no registration required, subject to capacity).

8pm and 10pm | Performance 
« L’air porte en lui des histoires » 

Echoing the Paris Noir exhibition at the Centre Pompidou, this meeting highlights the critical and decolonial pedagogies that have redefined pan-African artistic practices and influenced contemporary art education.

 

A discussion moderated by Eva Barois de Caevel, featuring Euridice Zaituna Kala and Pascale Marthine Tayou, will explore the tensions between institutional education systems and alternative pedagogies in post-independence Africa. 

Seven venues, seven exhibitions: Laurent Le Bon, President of the Centre Pompidou, looks back at his curatorial practice through a selection of exhibitions - from Dada to Dioramas to Vides. A retrospective and Masterpieces?

 

This event is organized jointly by École d'architecture Paris-Malaquais and Beaux-arts de Paris, in conjunction with the “L'entour” course. It will be moderated by Audrey Illouz and Yann Rocher.

Around the exhibition Chère Melpomène

2pm | Écrire en spirale
Writing workshop with Douce Dibondo

Writing as trance and ecstasy. Find the balance between exteriority (trance) and ecstasy (interiority) with exercises in side stepping, stepping back and merging with our surroundings.

« Non nova, sed nove »

During this meeting, Phia Menard talks about her practice, the founding of her company “Non nova”, her precept “We don't invent anything, we just see it differently”, and her latest shows. This meeting is part of the « Troubles, alliances et esthétiques » chair coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.

Post-photography

Over the past fifteen years, the term “post-photography” has come to dominate the field of photographic creation. It refers to a radical evolution in our relationship with images, which the first and second digital turning points have only accentuated. But it seems to cover a wide range of realities: appropriationism, the multiplication of images on social networks or, more recently, augmented photography and the algorithmic image.