"We are (still) not somewhere”
Originating in the performance Nós não estamos algures, imagined by the Portuguese filmmaker, art critic and curator Ernesto de Sousa in 1969 at the Primeiro Acto theater club (Algés), the event "We are (still) not somewhere" aims to be a transcultural iteration of the performative and intermedia experiments initiated by the Portuguese artist collectives in the late 1960s.
Mémoires d'atelier II - dialogue with Émilie Verger and Flore Chesnay
The Reg-Arts project (Beaux-Arts de Paris, CNRS, INHA) aims to understand the history of the Beaux-Arts de Paris in a multidisciplinary way, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar aims to explore this history in a collective and contemporary way.
In association with the École des Beaux-arts de Paris and the "exhibition professions" course, from October to July 2023, an artist is invited to occupy this gallery space for two months. Each inauguration is an opportunity for a privileged exchange between the young artist and the public. Each artist will receive professional and critical support.
With this initiative, the Pernod Ricard Foundation strengthens its role in the young artistic scene in France.
L'Avancée is a hanging wall dedicated to emerging artists and a way of extending the exhibition space into the living space. During the year 2022-23, the Foundation is partnering with the École des Beaux-Arts de Paris and the "exhibition professions" programme. Every two months, from October to July, a student will be invited to take over this gallery and to accompany his or her display with an exchange with the public.
The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Charlotte Simonnet, a 3rd year student at the Atelier Tatiana Trouvé, presents her installation Coutures as part of the "L'Avancée" programme.
Located in the heart of the café-library of the new Pernod Ricard Foundation, L'Avancée is a hanging space dedicated to emerging artists, a way of extending the exhibition space into the living space.
The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Béatrice Duport and Stéphane Pichard to present their performance Correspondance.
Marie-José Mondzain: decolonising the imaginary.
On the occasion of her latest book K comme Kolonie: Kafka et la décolonisation de l'imaginaire, published by La Fabrique, Marie-José Mondzain talks to Alain Berland and Christian Joskhe.
Marie-José Mondzain is a philosopher specialising in the study of the relationship to images. She is director of research at the Groupe de sociologie politique et morale (École des hautes études en sciences sociales, Centre national de la recherche scientifique).
A Permanent Revolution: Contemporary Ukrainian Art - meeting with Alisa Lozhkina
Alisa Lozhkina is one of the most important historians, critics and curators of Ukrainian art. She was the director and chief curator of the Mystetskyi Arsenal Museum, the largest museum and exhibition complex in Ukraine, chief editor of Art Ukraine, curator of the exhibition Permanent Revolution. Ukrainian Art Now, which presented three generations of contemporary Ukrainian artists at the Ludwig Museum in Budapest.
Meeting with visual artists Igor Gusev and Iryna Ozarynska and curator and photography researcher Kateryna Radchenko, founder and director of the Odessa International Photo Days festival. Moderated by curator Solomia Savchuk, head of the Contemporary Art Department of the Mystetskyi Arsenal National Museum Complex of Art and Culture, a leading cultural institution in Kiev.
As part of the cultural festival A Weekend in the East.
Post Monument Study Day: Art in situation - when the work takes place
